Een van de hoogtepunten van het nieuwe album van Champagne Charlie "Sixpack"
Geschreven door Brother Will Hairston een fabrieksarbeider en prediker, die “The Hurricane of the Motor City”, werd genoemd Dit vanwege zijn daverende invloed op kerkdiensten bij het prediken en zingen.Zanger Sjef geeft aan waar de song over gaat.......
Alabama Bus (Film by Jaap van Visvliet) thanks Jaap.
Champagne Charlie:
Geert de Heer - slide, Peter Bout - bass,Sjef Hermans, vocals. Peter Lenselink,- percusion Gait Klein Kromhof -harmonica ,Theo de Koning-guitar/vocals.
"Blue Eyes Crying in the Rain" is a song written by songwriter Fred Rose. Originally performed by Roy Acuff, the song has been covered by many artists; such as Hank Williams Sr., Johnny Russell, and Charley Pride. Also the song was later recorded by Willie Nelson as part of his 1975 album Red Headed Stranger.
Both the song and album would become iconic in country music history,
and jump start Nelson's success as a singer and recording artist.
"Blue Eyes Crying in the Rain"
The version by Willie Nelson, recorded for his 1975 concept album, Red Headed Stranger, which was about a fugitive preacher on the run from the law after killing his wife, was lauded by country music historian Bill Malone
as "a fine example of clean, uncluttered country music, [with] a spare
arrangement that could have come straight out of the 1940s." Rolling Stone noted the song was delivered with his "jazz-style phrasing" and was "the beating heart of Red Headed Stranger."
In the twilight glow I see her
Blue eyes crying in the rain
When we kissed goodbye and parted
I knew we'd never meet again
Love is like a dying ember
And only memories remain
And through the ages I'll remember
Blue eyes crying in the rain
Some day when we meet up yonder
We'll stroll hand in hand again
In a land that knows no parting
Blue eyes crying in the rain
The title track, "Saint Dominic's Preview", was said by Morrison to have been composed after seeing an ad for a peace vigil to be held at St. Dominic's Church in San Francisco.[28] The song is written in a "stream of consciousness" fashion as with the Astral Weeks
songs. Lyrics in the song refer to different stages of Morrison's life:
"chamois cleaning all the windows" (teenage years) and "The record
company has paid out for the wine" (his contemporary status as a pop
music star). Erik Hage calls it "expansive and groundbreaking, representing an enlarging scope and ambition in Morrison's music.
Shammy [chamois] cleaning all the windows,
Singing songs about Edith Piaf's soul.
And I hear blue strains of "no regredior"
Across the street from Cathedral Notre Dame.
Meanwhile back in San Francisco
We're trying hard to make this whole thing blend,
As we sit upon this jagged
Storey block, with you my friend.
And it's a long way to Buffalo.
It's a long way to Belfast city too.
And I'm hoping the choice won't blow the hoist
'cos this town, they bit off more than they can chew.
As we gaze out on, as we gaze out on
As we gaze out on, as we gaze out on
Saint Dominic's Preview
Saint Dominic's Preview
Saint Dominic's Preview
"See Emily Play" is a song by English rock band Pink Floyd, released as their second single in June 1967.[4][5] Written by original frontman Syd Barrett and recorded on 23 May 1967, it featured "The Scarecrow" as its B-side. It was released as a non-album single, but appeared as the opening track of the American edition of their debut album The Piper at the Gates of Dawn (1967).
"See Emily Play" is included in The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list and reached No. 6 in the United Kingdom singles chart.[6] As of 2018, the song has never been mixed to stereo, so the US album version was rechannelled and all subsequent reissues have been in mono.
See Emily Play These two singles were written by Syd Barrett.Of the 11 songs on the debut album The Piper At The Gates Of Dawn, which appeared in August 1967, Barrett wrote eight of his own and collaborated on two others.As an innovative guitarist, he investigated the musical possibilities of dissonance, distortion, feedback, echo machines and various sound effects on tape.The typical Pink Floyd guitar sound was obtained, among other things, because Barrett slid over the strings of his Fender Esquire guitar with a Zippo lighter and connected to an echo box.
"Arnold Layne" is the debut single released by the English rock band Pink Floyd on 10 March 1967, written by Syd Barrett.
Arnold Layne
The song's title character is a transvestite whose strange hobby is stealing women's clothes and undergarments from washing lines. According to Roger Waters,
"Arnold Layne" was actually based on a real person: "Both my mother and
Syd's mother had students as lodgers because there was a girls' college
up the road so there were constantly great lines of bras and knickers
on our washing lines and 'Arnold' or whoever he was, had bits off our
washing lines.
The Piper at the Gates of Dawn is the debut studio album by the English rock band Pink Floyd, and the only one made under founding member Syd Barrett's leadership. The album, named after the title of chapter seven of Kenneth Grahame's The Wind in the Willows
and featuring a kaleidoscopic cover photo of the band taken by Vic
Singh, was recorded from February to May 1967 and released on 4 August
1967.[3] It was produced by Beatles engineer Norman Smith and released in 1967 by EMI Columbia in the United Kingdom and Tower in the United States, in August and October respectively. Two of the album's songs, "Astronomy Domine" and "Interstellar Overdrive", became long-term mainstays of the band's live set list, while other songs were performed live only a handful of times.
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Note from Arthur. I remember that I saw the single at the local music store, of course I listened to it, but what a strange music it was! It did not look like anything, but very different. In 1967 i saw them for thefirst live in Vlissingen (concert hall) then already with a beautiful lightshow and in my memory for that time hard! Syd Barret was in my opinion already replaced by David Gilmour (but I'm not sure) The in itself some lame movies give a nicetime picture of the sixties.
Let It Be is a 1970 British documentary film starring the Beatles and directed by Michael Lindsay-Hogg. The film documents the group rehearsing and recording songs for their twelfth and final studio album Let It Be, in January 1969. The film includes an unannounced rooftop concert by the group, their last public performance. Released just after the album in May 1970, Let It Be is the final original Beatles release.
The world premiere of the film was in New York City on 13 May 1970. One week later, UK premieres were held at the Liverpool Gaumont Cinema and the London Pavilion. None of the Beatles attended any of the premieres. The Beatles won an Oscar for Let It Be in the category "Original Song Score", which Quincy Jones accepted on their behalf. The soundtrack also won a Grammy for "Best Original Score".
Sunday afternoon old LP, running, fun activity.So I came across this compilation album again, a look back at the more or less progessive rock music from the 70,s
Stone The Crow -Blind Man
Side One
1 The Who - Young Man Blues ,album "Live at Leeds"
2 Golden Earring - Wall Of Dolls ,album "Golden Earring"
3 Sabicas with Joe Beck - Inca Song,album "Rock Encounter"
4 Steeplechase - Lady Bright ,album "Lady Bright"
5 Ten Wheel Drive - Stay With Me .album "Brief Replies"
6 Eric Clapton - Let It Rain ,album "Eric Clapton""
Side Two
1 Eric Burdon & War - Tobacco Road ,album "Eric Burdon declares "War"
2 Sweet Thursday - The Dealer ,album "Sweet Thursday"
3 Stone The Crows - Blind Man ,album "Stone The Crows"
Timothy Charles (Tim) Buckley III (Washington D.C., 14 februari1947 - Santa Monica, 29 juni1975) was een Amerikaanssinger-songwriter.
Hij combineerde tijdens zijn korte carrière in de late jaren '60 en '70 verschillende soorten muziek als jazz,funk, soul en avant-garde muziek in een geheel eigen stijl. Zijn song Song to the siren kreeg in 1984 bekendheid in Nederland in de uitvoering door het Britse project This Mortal CoilVader van Jeff en zoveel overeenkomsten Allebei een prachtige stem en allebei helaas veel te vroeg overleden.Zag Tim optreden op het popfestival in Hilversum.Een opvallende
verschijning tussen het gitaargeweld van o.a The Dooby Brothers, Allmann Brothers en het Mahavishnu Orchestra.(later meer over dit festival)
Song from the Siren
"Song to the Siren" is a song written by Tim Buckley and his writing partner Larry Beckett and was first released on Buckley's 1970 album Starsailor. It was also later released on Morning Glory: The Tim Buckley Anthology, the album featuring a performance of the song taken from the final episode of The Monkees TV show which aired on March 25, 1968.
Pat Boone was the first to release a version of the song when it was featured on his 1969 album Departure, predating Buckley's Starsailor
release. However, the song has become perhaps Buckley's most famous due
to a number of artists covering the song after his death in 1975,
notably This Mortal Coil.(Wikipedia)
Onze eerste Jazz Bilzen ervaring in 1968 was zo goed bevallen dat we het jaar daarop natuurlijk ook van de partij waren.De groep was ondertussen uitgebreid tot een man of 8,ik dacht dat we een busje gehuurd hadden(weet ik niet meer zeker)De opzet van het festival was nog hetzelfde gebleven,ik herriner me nog de stoeljes voor het podium,het gezellige dorpscafe waar we volgens mij ook de tickets kochten,en de gemoedelijke sfeer.
De editie van Jazz Bilzen 69 had ook deze keer weer een geweldige programmering,veel Nederlandse topbands als Ekseption, Shocking Blue, Livin Blues, Group 1850,Blues Dimension en buitenlandse acts als Deep Purple(met een geweldige Ritchie Blackmore)
Humble Pie, een sfeervol optreden van The Moody Blues ,de cabareteske Bonzo Dog Doo Da Band en de zeer aparte muziek van The Soft Machine.Gek genoeg kan ik me,in tegenstelling met de andere optredens) van de laatste niet veel meer herrineren,gelukkig zijn er dan nog die mooie BRT opnames...
The Soft Machine - Moon in June
Mike Radledge,Hugh Hopper,Robert Wyatt
Toevallig stond er in de laatste editie van het mooie muziekblad ,,Heaven,,(zeer aanbevolen)een artikel over het nummer Moon In June .Het is geschreven door Robert Wyatt.De titel Moon In June is waarschijnlijk ontleend aan Both Sides Now van Joni Mitchell.Het nummer is niet vaak ,,life, gespeelt.Tijdens hun Europese toernee was het hun opener ,zie ook het optreden in Bilzen.Dit was echter een ingekorte versie en Robert Wyatt heeft wat moeite om zich te concentreren.De definitieve versie van Moon In June zou uiteindelijk op het Soft Machine album Third komen te staan in een versie van 19 minuten.
Het mooie verhaal van Moon In June en meer over Robert Wyatt is te lezen in HEAVEN (Het Popmagazine dat de oren opent) http://www.popmagazineheaven.nl/
Tweede avond van Songs From the Heart met als thema "Hebzucht Rechtvaardigheid"
Zat niet echt mee deze avond mede door enkele afzeggingen,en lichte geluidsproblemen.Maar zoals JC al meermalen verkondigde,ieder nadeel heeft zijn voordeel,In dit geval betekende dat meer speeltijd voor de wel aanwezige muziekgroepen.Fijn dat b.v deze band enkele nummers meer mocht spelen,voor mij een zeer aangename verassing.Natuurlijk weer een mooie registratie van dit optreden door Jaap van Visvliet,de foto,s zijn van Nico van Rooyen.
"Cocaine" (Dick Justice/Luke Jordan)
Dick Justice (1906 – September 12, 1962) was een AmerikaanseBlues en Folk muzikant uit de buurt van West Virginia .
Zijn geboortenaam was Richard Justice, hij nam tien songs op voor Brunswick Records in Chicago .In tegenstelling tot veel hedendaagse blanke muzikanten, werd hij sterk beïnvloed door zwarte muzikanten,speciaal door Luke Jordan die omstreeks1927 opnames maakte voor Victor Records
Justice's "Cocaine" is weer een cover van de Jordan opname , die deze twee jaar eerder opnam. (Wikipedia)
How,s About You (Rawlings/Welsch)
Heb het genoegen gehad zowel de Dave Rawlings Machine als Gillian Welsch een keer te zien optreden,Allebei erg mooi en onvergetelijk.Het optreden van deze groep muzikanten deed me daar weer aan terugdenken.,zeker met dit nummer. Erg mooi gedaan!!
Bag Of Bones ( Pokey Lafarge)
Dit nummer komt van het album "Riverboat Soul" van Pokey Lafarge Ook deze artiest was al eens te gast in Zeeland (De Piek) Zag hem ook al een keer in Tivoli Utrecht. Origineel mannetje met mooie vertolkingen van rag-time bleus,beetje jugbandmuziek of zullen we het maar gewoon Americana noemen.Het was een mooi optreden ,en heb zo maar het vermoeden dat er leden van deze band erbij waren.De interpertatie van dit Pokey Lafarge nummer was in ieder geval erg mooi.
Hands Of Man (The Stray Birds)
Mooi nummer van "The Stray Birds" trio uit Lancaster dat er dit jaar helaas de brui aan gaf.
The Widdershins bestaan uit Roos- Zang, mondharmonica,Aurora - Viool,Joop- Banjo, gitaar, mandoline , boxgitaar,Martijn- Contrabas,Fokke - Banjo, gitaar, zang,Joris-Zang,mondharmonica.
Geen idee of dit een vaste formatie is,hoop ze toch dit jaar nog eens op een van de Zeeuwse podia ,of op een SFTH avond nog een keer tegen te komen
