vrijdag 8 mei 2020
Rising Sons- If The River Was Wiskey (Divin Duck Blues)
Rising Sons was a Los Angeles, California-based band found in 1964. The original lineup was Ry Cooder (vocals, six and 12-string guitar, mandolin, slide and bottleneck guitar, dobro), Taj Mahal (vocals, harmonica, guitar, piano), Gary Marker (bass), Jesse Lee Kincaid (vocals and guitar) and Ed Cassidy (drums). Cassidy left the band after he broke his hand and was replaced by Kevin Kelley.
The group was signed to Columbia Records but their album was never issued. One single, "Candy Man"/"The Devil's Got My Woman", did surface, but the group disbanded in 1966. Mahal became a prominent blues/folk performer and Cooder made his name playing sessions and later recorded successfully under his own name. Cassidy founded the band Spirit and Kelley became a member of his cousin Chris Hillman's band the Byrds in 1968, and played on their seminal Sweetheart of the Rodeo album. Rising Sons' languid, bluesy/folksy sound anticipated future recordings by outfits like Moby Grape, Buffalo Springfield, the Grateful Dead, and the Byrds. The session became widely bootlegged and nearly three decades later were finally given an official release by Columbia Records.
donderdag 7 mei 2020
Laurence Jones live at the Kwadendamme Bluesfestival (May 14th 2016)
foto Arthur
Het was nog vroeg in de middag ,maar het muzikale niveau lag al hoog.Na The Dry River Band met gitaarvirtioos Dusty Ciggaar was het de beurt aan Laurence Jones en zijn band.Zoekt eerstgenoemde band het in rock-a-billy,rock & roll,bij Laurence Jones meer melodieus gitaarwerk en een prima stem.Ik zag ze allebei al enkele malen eerder optreden,twee totaal verschillende gitaarstijlen.Is Dusty al een gevestigde naam, Laurence is de status van supertalent ondertussen ook wel ontgroeid.Twee prachtige optredens achter de rug en het festival was nog maar net begonnen!
Laurence Jones live at the Kwadendamme... door morrisanddylan
Zijn Young Artist of the Year-award bij de British Blues Awards in 2014 heeft hij al in de knip Hij heeft een platendeal bij het toplabel Ruf Records op en doet zo,n 180 shows per jaar. Zijn eerste album bij Ruf, Temptation uit 2014, werd opgenomen in de wereldberoemde Dockside Studio in Louisiana waar grootheden zoals B.B. King, James Cotton en Taj Mahal hem voor gingen. Zijn nieuwste album werd geproduceert door Mike Vernon (Blue Horizon)Een belangrijke rol tijdens de live optredens is weggelegd voor bassist Roger Inniss
Laurence Jones live at the Kwadendamme... door morrisanddylan
De eerste kennismaking met Laurence Jones was in bluesclub De Viersprong zon twee jaar geleden.
Een memorabel optreden.
Laurence Jones at De Viersprong
http://arthurfromholland.blogspot.nl/2014/11/laurence-jones-de-viersprong-8-nov2014.html
HIBF Grolloo 2017
https://arthurfromholland.blogspot.com/2017/06/laurence-jones-thunder-in-night.htmlhttps://arthurfromholland.blogspot.com/2017/06/laurence-jones-thunder-in-night.html
HIBF Grolloo 2018
https://arthurfromholland.blogspot.com/2020/02/laurence-jones-featerwin-java-window-of.html
Laurence Jones Website
http://www.laurencejonesmusic.com/Home.html
Het was nog vroeg in de middag ,maar het muzikale niveau lag al hoog.Na The Dry River Band met gitaarvirtioos Dusty Ciggaar was het de beurt aan Laurence Jones en zijn band.Zoekt eerstgenoemde band het in rock-a-billy,rock & roll,bij Laurence Jones meer melodieus gitaarwerk en een prima stem.Ik zag ze allebei al enkele malen eerder optreden,twee totaal verschillende gitaarstijlen.Is Dusty al een gevestigde naam, Laurence is de status van supertalent ondertussen ook wel ontgroeid.Twee prachtige optredens achter de rug en het festival was nog maar net begonnen!
Laurence Jones live at the Kwadendamme... door morrisanddylan
Zijn Young Artist of the Year-award bij de British Blues Awards in 2014 heeft hij al in de knip Hij heeft een platendeal bij het toplabel Ruf Records op en doet zo,n 180 shows per jaar. Zijn eerste album bij Ruf, Temptation uit 2014, werd opgenomen in de wereldberoemde Dockside Studio in Louisiana waar grootheden zoals B.B. King, James Cotton en Taj Mahal hem voor gingen. Zijn nieuwste album werd geproduceert door Mike Vernon (Blue Horizon)Een belangrijke rol tijdens de live optredens is weggelegd voor bassist Roger Inniss
Laurence Jones live at the Kwadendamme... door morrisanddylan
De eerste kennismaking met Laurence Jones was in bluesclub De Viersprong zon twee jaar geleden.
Een memorabel optreden.
Laurence Jones at De Viersprong
http://arthurfromholland.blogspot.nl/2014/11/laurence-jones-de-viersprong-8-nov2014.html
HIBF Grolloo 2017
https://arthurfromholland.blogspot.com/2017/06/laurence-jones-thunder-in-night.htmlhttps://arthurfromholland.blogspot.com/2017/06/laurence-jones-thunder-in-night.html
HIBF Grolloo 2018
https://arthurfromholland.blogspot.com/2020/02/laurence-jones-featerwin-java-window-of.html
Laurence Jones Website
http://www.laurencejonesmusic.com/Home.html
dinsdag 5 mei 2020
Quicksilver Messenger Service - Mona

Quicksilver Messenger Service was een psychedelische muziekgroep, opgericht door Dino Valente (artiestennaam van Chet Powers). De andere leden waren John Cipollina, Jim Murray, David Freiberg, Greg Elmore en Gary Duncan.
Hoewel Quicksilver Messenger Service al snel in de problemen kwam door vermeend bezit van drugs begon de groep in 1965 aan een tour langs de westkust van de Verenigde Staten. In 1967 kwam hun eerste contact met de platenmaatschappij Capitol Records tot stand en werden de platen Quicksilver Messenger Service en Happy Trails uitgebracht. Murray en Duncan hadden de band toen al verlaten en Nicky Hopkins was toegetreden tot Quicksilver Messenger Service.
Mona ( Bo Diddly)
Gary Duncan (gitaar, zang)
John Cipollina (gitaar, zang)
David Freiberg (basgitaar, gitaar, keyboards, gitaar en zang)
Greg Elmore (drums, percussie en zang)
Dino Valenti (gitaar en zang)
Nicky Hopkins (keyboards)
Deze opname komt van een concert op het Sonoma State College in April 1970.
Niet in beeld is pianist Nicky Hopkins die later een vast bandlid zou worden.
Mooi tijdsbeeld van die vreemde ,maar mooie jaren 60/70.Een van de eerste ,,Jam,,bands samen met Bluesproject die later veel navolging zou krijgen met groepen als Grateful dead en Allman Brothers.

Het opstappen en toetreden van bandleden werd zo'n beetje het handelsmerk van de groep en hij viel uiteen. In 1975 en 1986 werden pogingen ondernomen om de groep nieuw leven in te blazen, maar echt succesvol waren die pogingen niet.
Quicksilver Messenger Service maakte vooral muziek die recht toe en recht aan was, als begeleiding van teksten die recht uit het hart kwamen. Bij optredens lag het accent veel op improvisatie en experimenten. Het bekendste werk van de groep is ongetwijfeld Happy Trails uit 1969, een elpee die in de muziekgeschiedenisboeken is terechtgekomen als "the finest live album ever recorded". Ruim de helft van deze plaat, zeven nummers, is gewijd aan een QMS-versie van de Bo Diddley-klassieker Who Do You Love? De gitaren van Cipollina en Duncan en het publiek van Bill Graham's Fillmore Auditorium proberen elkaar op deze legendarische opname te overtreffen met varianten op de typische Bo Diddley-riff.
Quicksilver Messenger Service
http://www.penncen.com/quicksilver/

maandag 4 mei 2020
Cream - Sunshine Of Your Love (Glen Cambell Goodtime Hour- 1968)
The song was included on Cream's second album Disraeli Gears in November 1967, which was a best seller. Atco Records, the group's American label, was initially unsure of the song's potential. After recommendations by other label-affiliated artists, it released an edited single version in January 1968 (or possibly December 1967).[a] The song became Cream's first and highest charting American single and one of the most popular singles of 1968. In September 1968, it became a modest chart hit after being released in the UK.
Cream performed "Sunshine of Your Love" regularly in concert and several live recordings have been issued, including on the Royal Albert Hall London May 2-3-5-6, 2005 reunion album and video. Hendrix performed faster instrumental versions of the song, which he often dedicated to Cream. Several rock journals have placed the song on their greatest song lists, such as Rolling Stone, Q magazine, and VH1. The Rock and Roll Hall of Fame included it on its list of the "500 Songs That Shaped Rock and Roll".(Wikipedia)
zondag 3 mei 2020
Van Morrison & Carl Perkins - Sittin on the top of the World.
Carl Lee Perkins (April 9, 1932 – January 19, 1998) was an American singer-songwriter who recorded most notably at the Sun Studio, in Memphis, beginning in 1954. Amongst his best-known songs are "Blue Suede Shoes", "Matchbox" and "Everybody's Trying to Be My Baby".
Arranged by Van Morrison and Carl Perkins Recorded at The Wool Hall. Bath
'Good Rockin' Tonight' The Sun Records Legacy' is a musical celebration commemorating the 50th anniversary of Sun Records. This London-Sire Records release features new renditions of the Sun classics
Most of the artists on this tribute to Sam Phillips's legendary Memphis label have chosen to cover the rockabilly hits. It isn't until a genuine Sun rockabilly artist--the late Carl Perkins--makes an appearance, joining Van Morrison for Howlin' Wolf's "Sittin' on Top of the World," that things briefly get bluesy. Instead, Paul McCartney, Jeff Beck, Chrissie Hynde, Tom Petty, and Bryan Ferry all offer up loving, note-for-note recreations of early Elvis tunes, even if it was Jerry Lee Lewis, not Elvis, who recorded a cover of "Don't Be Cruel" (Ferry's tune) for Sun.
But Elton John and Mandy Barnett both do The Killer (Lewis) proud here, as Sheryl Crow later does for Charlie Rich, and Led Zep's Page & Plant do for Sonny Burgess. Especially marvelous is Bob Dylan's subtle and, at times, hilarious take on Warren Smith's "Red Cadillac and a Black Moustache." It's a career highlight and every bit as enchanting as Robert Gordon's '70s cover version. Like the label itself, there are more hits than misses here. --Bill Holdship
'Good Rockin' Tonight' The Sun Records Legacy' is a musical celebration commemorating the 50th anniversary of Sun Records. This London-Sire Records release features new renditions of the Sun classics
Most of the artists on this tribute to Sam Phillips's legendary Memphis label have chosen to cover the rockabilly hits. It isn't until a genuine Sun rockabilly artist--the late Carl Perkins--makes an appearance, joining Van Morrison for Howlin' Wolf's "Sittin' on Top of the World," that things briefly get bluesy. Instead, Paul McCartney, Jeff Beck, Chrissie Hynde, Tom Petty, and Bryan Ferry all offer up loving, note-for-note recreations of early Elvis tunes, even if it was Jerry Lee Lewis, not Elvis, who recorded a cover of "Don't Be Cruel" (Ferry's tune) for Sun.
But Elton John and Mandy Barnett both do The Killer (Lewis) proud here, as Sheryl Crow later does for Charlie Rich, and Led Zep's Page & Plant do for Sonny Burgess. Especially marvelous is Bob Dylan's subtle and, at times, hilarious take on Warren Smith's "Red Cadillac and a Black Moustache." It's a career highlight and every bit as enchanting as Robert Gordon's '70s cover version. Like the label itself, there are more hits than misses here. --Bill Holdship
vrijdag 1 mei 2020
The Beatles - Melbourne 15/16/17 Juni 1964
On Sunday June 14th 1964 the Beatles arrived in Melbourne for a 3 night concert engagement at Festival Hall with 2 shows each night.
There were chaotic scenes outside the Southern Cross Hotel (on the corner of Bourke and Exhibition Streets) when the Beatles appeared on the balcony just above street level. Exhibition Street was blocked by an estimated 20,000 screaming fans. (Only Melbourne)
"You Can't Do That"
About 45,000 people saw the six performances, and the last show was taped for television by Channel 9 and broadcast in Australia on 1st July from 7:30 to 8:30. Brian Epstein had originally agreed to 10 minutes being broadcast, but after he had seen a preview he was so pleased with it he allowed 22 minutes (the rest of the broadcast was made up with Australian music acts).
"All My Loving",
The performances included, "I Saw Her Standing There", "You Can't Do That", "All My Loving", "She Loves You", "Till There Was You", Roll Over Beethoven", Can't Buy Me Love", Twist And Shout" and "Long Tall Sally".
"She Loves You"
Inside the hotel the Beatles were reunited with Ringo who had flown in with Brian Epstein that morning. Jimmy Nicol packed his bag and left the next day.
Can't Buy Me Love"
Also, an E.M.I. reception was held at the Southern Cross Hotel the following day and John Lennon flew into a rage when he saw the altered Australian cover for the "With The Beatles" album.
Twist And
Shout"
Australian entrepreneur Kenn Brodziak had booked the group 12 months earlier, just before the eruption of Beatlemania, for an unbelievable £2500 ($5000) per week.
Long Tall Sally
During Long Tall Sally a young audience member, Brent McCausland, leapt up on the stage and shook Lennon’s hand.
But it wasn’t all short shows and screaming girls. On the afternoon of the Beatles’ last day in Melbourne, George Harrison borrowed a red MG and drove through the eastern suburbs along Whitehorse Rd — Box Hill, Blackburn, Mitcham and Ringwood — and up the Mt Dandenong Tourist Road to Olinda stopping at the Kenloch tea rooms for a sandwich. A picture of him outside hung there for many years.
The Beatles with didgeridoos during their 1964 Australian tour.
There were chaotic scenes outside the Southern Cross Hotel (on the corner of Bourke and Exhibition Streets) when the Beatles appeared on the balcony just above street level. Exhibition Street was blocked by an estimated 20,000 screaming fans. (Only Melbourne)
About 45,000 people saw the six performances, and the last show was taped for television by Channel 9 and broadcast in Australia on 1st July from 7:30 to 8:30. Brian Epstein had originally agreed to 10 minutes being broadcast, but after he had seen a preview he was so pleased with it he allowed 22 minutes (the rest of the broadcast was made up with Australian music acts).
The performances included, "I Saw Her Standing There", "You Can't Do That", "All My Loving", "She Loves You", "Till There Was You", Roll Over Beethoven", Can't Buy Me Love", Twist And Shout" and "Long Tall Sally".
Inside the hotel the Beatles were reunited with Ringo who had flown in with Brian Epstein that morning. Jimmy Nicol packed his bag and left the next day.
Also, an E.M.I. reception was held at the Southern Cross Hotel the following day and John Lennon flew into a rage when he saw the altered Australian cover for the "With The Beatles" album.
Australian entrepreneur Kenn Brodziak had booked the group 12 months earlier, just before the eruption of Beatlemania, for an unbelievable £2500 ($5000) per week.
During Long Tall Sally a young audience member, Brent McCausland, leapt up on the stage and shook Lennon’s hand.
But it wasn’t all short shows and screaming girls. On the afternoon of the Beatles’ last day in Melbourne, George Harrison borrowed a red MG and drove through the eastern suburbs along Whitehorse Rd — Box Hill, Blackburn, Mitcham and Ringwood — and up the Mt Dandenong Tourist Road to Olinda stopping at the Kenloch tea rooms for a sandwich. A picture of him outside hung there for many years.
The Beatles with didgeridoos during their 1964 Australian tour.
Neil Young & Crazy Horse - ZiggoDome, Amsterdam (encore) June5th 2013
"Roll Another Number" a beautiful farewell song where Neil thanks everyone for coming, Also "All of the Crazy Horse Personnel" is thanked for their cooperation and Neil wishes us all a safe journey home .. And who knows, maybe goodbye ...
A nice ending to a beautiful Neil Young evening.
"Roll Another Number"
A nice ending to a beautiful Neil Young evening.
donderdag 30 april 2020
Alison Krauss & Robert Plant - Live BBC( 05-06-2008)

(Foto Blowfish)
Een op het eerste gezicht een wat vreemde combinatie,Led Zeppelin zanger Robert Plant en het Amerikaans bluegrass fenomeen Alison Krauss.Het contact tussen Plant en Krauss werd al een jaar of zeven geleden gelegd, maar ze zongen voor het eerst samen op een tribute-concert ter ere van Leadbelly in 2004. Daarna duurde het nog even voor ze de tijd vonden om samen de studio in te gaan. De productie van Raising Sand is gedaan door T-Bone Burnett, die ook het materiaal koos in samenwerking met Krauss en Plant. De de twee stemmen passen wonderbaarlijk goed bij elkaar ,en uiteraard volgt er dan een bijbehorende tournee.
Gone,Gone,Gone,
Natuurlijk was er een bezoek aan het prachtige BBC programma ,,Later,, met presentator Jools Holland waarvan hier een paar fragmenten.
Rich Woman
En wat een band!o.a T-Bone Burnett,de grote inspirator van dit project,rootscountryrocker Buddy Miller,drumfenomeen Jay Bellrose,snaarvirtuoos Stuart Duncan ,Dennis Crouch op contrabas ,allemaal topmuzikanten uit het roots/country/americana genre.
I,m a Woman Lovin Man
Alison Krauss Official Site
http://alisonkrauss.com/
Robert Plant Official Site
http://www.robertplant.com/
T-Bone Burnett Official Site
http://www.tboneburnett.com/bio.html
Buddy & Julie Miller Official Site
http://www.buddyandjulie.com/
Jay Bellerose
http://www.moderndrummer.com/updatefull/200001744/Jay%20Bellerose
Stuart Duncan
http://www.tricopolisrecords.com/dna/duncan/duncan.htm
Dennis Crouch (The Time Jumpers)
http://www.thetimejumpers.com/bio/dennis_crouch
dinsdag 28 april 2020
Gov't Mule and John Scofield, "Opium," 3/12/15
Gov't Mule with special guest John Scofield perform moe.'s "Opium," at the Orpheum Theater, Boston on 3/12/15.
Brought to you by Less Than Face Productions.
Brought to you by Less Than Face Productions.
donderdag 23 april 2020
The Chieftains feat.Ry Cooder - San Patricio
San Patricio is an album by the Irish musical group, The Chieftains featuring Ry Cooder, released in 2010. It was their first album with Hear Music and the first studio album in over six years since Further Down the Old Plank Road (2003). It tells the story of the San Patricio battalion—a group of mainly Irish immigrant volunteer soldiers who deserted the U.S. Army in 1846 to fight on the Mexican side in the Mexican–American War (1846–1848).
The sands of Mexio (Ry Cooder)
Vocals, Guitar, Laúd, Timbales, Piano – Ry Cooder,Bass – Rene Camacho,Bodhrán – Kevin Conneff
Cello – Neil Martin,Clarinet – Arturo Gallardo, Rogelio Navarrate,Harp – TrÃona Marshall
Tin Whistle, Bagpipes [Uilleann] – Paddy Moloney,Violin – Jesus (Chuy) Guzman, Jimmy Cueller, Juan Rodriguez , Raul Cueller
Canción Mixteca (Intro)
Guitar – Ry Cooder,Piano, Accordion – Van Dyke Parks
A La Orilla De Un Palmar
Lead Vocals – Linda Ronstadt,Guitar – Ry Cooder,Double Bass – Rene Camacho,
Harp – Sergio Alonso , TrÃona Marshall,Tin Whistle – Paddy Moloney,Violin – Jesus Guzman
Vocals – Ersi Arvizu
Canción Mixteca
Los Tigres Del Notre feat.Ry Cooder
Guitar – Ry Cooder,Accordion, Bajo Sexto, Vocals – Luis Hernández,Drums – Oscar Lara
Electric Bass, Acoustic Bass, Vocals – Eduardo Hernández,Electric Bass, Vocals – Hernán Hernández,Fiddle – Seán Keane,Lead Vocals, Accordion – Jorge Hernández,Tin Whistle, Bagpipes [Uilleann] – Paddy Moloney
Vocals, Guitar, Laúd, Timbales, Piano – Ry Cooder,Bass – Rene Camacho,Bodhrán – Kevin Conneff
Cello – Neil Martin,Clarinet – Arturo Gallardo, Rogelio Navarrate,Harp – TrÃona Marshall
Tin Whistle, Bagpipes [Uilleann] – Paddy Moloney,Violin – Jesus (Chuy) Guzman, Jimmy Cueller, Juan Rodriguez , Raul Cueller
Guitar – Ry Cooder,Piano, Accordion – Van Dyke Parks
Lead Vocals – Linda Ronstadt,Guitar – Ry Cooder,Double Bass – Rene Camacho,
Harp – Sergio Alonso , TrÃona Marshall,Tin Whistle – Paddy Moloney,Violin – Jesus Guzman
Vocals – Ersi Arvizu
Los Tigres Del Notre feat.Ry Cooder
Guitar – Ry Cooder,Accordion, Bajo Sexto, Vocals – Luis Hernández,Drums – Oscar Lara
Electric Bass, Acoustic Bass, Vocals – Eduardo Hernández,Electric Bass, Vocals – Hernán Hernández,Fiddle – Seán Keane,Lead Vocals, Accordion – Jorge Hernández,Tin Whistle, Bagpipes [Uilleann] – Paddy Moloney
Abonneren op:
Posts (Atom)