woensdag 30 september 2020

Hour Glass (feat.Duane & Gregg Allman) - B.B/King Medley

                           

Hour Glass was a 1960s rhythm and blues band based in Los Angeles, California in 1967 and 1968. Among their members were two future members of the Allman Brothers Band (Duane Allman and his brother Gregg) and three future studio musicians at the Fame Studios in Muscle Shoals, Alabama (Pete Carr, Johnny Sandlin and Paul Hornsby). 

 

                                        1965 B.B. King's album 'Live At The Regal' is released.

The medley of tracks 2, 3 & 4 ("
Sweet Little Angel", "It's My Own Fault" and "How Blue Can You Get" was probably the inspiration for 'Hour Glass' to record their own "B.B. King Medley" on April 22, 1968 at Fame Recording Studios in Muscle Shoals,


 

maandag 28 september 2020

Aretha Franklin feat.Duane Allman - The Weight (1969)


Aretha Franklin looks on from the back of the control room during the playbacks of "The Weight" sessions. Producers Jerry Wexler and Arif Mardin, engineer Tom Dowd and session guitarist Duane Allman are also in the New York studio on January 9th, 1969.

                                                                  

Fifty years ago, this set of photographs was captured showing the Queen of Soul, Aretha Franklin, recording The Weight.  You might remember it as the anthem penned by members of The Band: “I pulled into Nazareth, just a feelin’ ’bout a half past dead…”

Released on her Soul ’69 album, the song also featured the slide guitar of Duane Allman, of Allman Brothers fame.


 

 
The session took place on January 9th, 1969 in the New York City studios of Atlantic Records, Aretha’s home since 1966. Prior to that, the prodigiously talented singer had been arguably miscast, recording a range of jazz and pop albums for another label, none of which allowed her to shine.
 

But Atlantic producer Jerry Wexler had a different idea: “I took her to church, sat her down at the piano, and let her be herself.”

And what Wexler discovered—a fact often overshadowed by her formidable voice—was that Franklin was also a highly talented pianist and musical arranger. She went into vast written detail about the sound she was seeking, and how to achieve it. The Queen of Soul, yes, but also The Queen of the Studio.