zaterdag 4 juli 2020

Buddy Miller (with The McCrary Sisters) - There's a Higher Power

Buddy Miller & Friends - Hardly Strictly Bluegrass Festival, Golden Gate Park, San Francisco,              California 2018-10-06

      There's a Higher Power (The Louvin Brothers cover)

Canned Heat feat, Alan"Blind Owl"Wilson

Alan "Blind Owl" Christie Wilson (July 4, 1943 – September 3, 1970) was the leader, singer, and primary composer in the American blues band Canned Heat. He played guitar and harmonica, and wrote several songs for the band.


                                         On the Road Again

 Wilson was born in Boston, Massachusetts and grew up in the Boston suburb of Arlington, Massachusetts. He majored in music at Boston University and often played the Cambridge coffeehouse folk-blues circuit. He acquired the nickname "Blind Owl" owing to his extreme nearsightedness; in one instance when he was playing at a wedding, he laid his guitar on the wedding cake because he did not see it. As Canned Heat's drummer, Fito de la Parra, wrote in his book: "Without the glasses, Alan literally could not recognize the people he played with at two feet, that's how blind the 'Blind Owl' was."



Rollin & Tumbling

 With Canned Heat, Wilson performed at two prominent concerts of the 1960s era, the Monterey Pop Festival in 1967 and Woodstock in 1969. Canned Heat appeared in the film Woodstock, and the band's "Going Up the Country," which Wilson sang, has been referred to as the festival's unofficial theme song.[1] Wilson also wrote "On the Road Again," arguably Canned Heat's second-most familiar song.


                
                  Turpentine Moan/On The Road Again

 Wilson was a passionate conservationist who loved reading books on botany and ecology. He often slept outdoors to be closer to nature. In 1969, he wrote and recorded a song, "Poor Moon", which expressed concern over potential pollution of the moon. He wrote an essay called 'Grim Harvest', about the coastal redwood forests of California, which was printed as the liner notes to the Future Blues album by Canned Heat.



After Eddie 'Son' House's 'rediscovery' in 1964, Wilson taught him how to play again the songs House had recorded in 1930 and 1942 (which he had forgotten over a long absence from music); House recorded for Columbia in 1965 and two of three selections featuring Wilson on harmonica and guitar appeared on the set. On the double album Hooker 'N Heat (1970), John Lee Hooker is heard wondering how Wilson is capable of following Hooker's guitar playing so well. Hooker was known to be a difficult performer to accompany, partly because of his disregard of song form. Yet Wilson seemed to have no trouble at all following him on this album. Hooker concludes that "you [Wilson] musta been listenin' to my records all your life". Hooker is also known to have stated "Wilson is the greatest harmonica player ever"
Stephen Stills' song "Blues Man" from the album Manassas is dedicated to Wilson, along with Jimi Hendrix and Duane Allman.

  Canned Heat (feat. Alan "Blind Owl" Wilson, Bob "The Bear" Hite, Harvey "The Snake" Mandel, Larry "The Mole" Taylor, Adolfo "Fito" de la Parra)


 Wilson died in Topanga Canyon, California of a drug overdose at age 27. Although Wilson had reportedly attempted suicide twice before and his death is sometimes reported as a suicide, this is not clearly established and he left no note.


 Bron Wikipedia

donderdag 2 juli 2020

Eric Burdon & The New Animals(1966-1969)

                                

The Animals, one of the most successful R&B-based groups of the British Invasion, broke up in 1966. It was then that singer Eric Burdon released a single as a solo artist - "Help Me Girl" got to #14 in the UK and #29 in the US. He then moved to America, accompanied by Animals drummer Barry Jenkins, and recorded an album which ended up being released as Eric Burdon & The Animals, accompanied by Jenkins and a number of session musicians. It saw him move away from the gritty R&B that The Animals had been known for, and into more of a general pop sound. It was notable for featuring three songs by Randy Newman, who had yet to record his own debut album - "Mama Told Me Not To Come", "I Think It's Gonna Rain Today" and "Wait Till Next Year". The former in particular would later become very well known after Three Dog Night had a #1 hit with it in 1970.
                                                             ERIC IS HERE
                                           Help Me ,Girl(album Eric is Here)

Despite being billed as Eric Burdon & The Animals, Eric Is Here was in reality a solo album. It was actually only released in the US, and was barely noticed. However shortly afterwards Burdon and Jenkins put together a new band to carry on The Animals' name, though their music was to take a radical change towards psychedelia as they emersed themselves in the American counter-culture


 After the US-only Eric Is Here, which was essentially a Burdon solo album, they set about forming a new group to carry on The Animals name. They were joined by Vic Briggs (guitar/keyboards), John Weider (guitar/violin) and Danny McCulloch (bass), and became known as Eric Burdon & The Animals (sometimes referred to as The New Animals). Settling in California during the Summer Of Love, and no doubt fuelled by his first LSD experience, Burdon led this group into strange new psychedelic territories that had little at all in common with the R&B styled sound of the original British group.
WIND OF CHANGE
                                          
                                          Good Times (album Wind of Change)
 Eric Burdon - vocals ,Vic Briggs - guitar ,piano,John Weider - guitar,violin. Danny McCulloch - bass,Barry Jenkins - drums.

                             

Their first release was the single "When I Was Young", which did well in the US and made it to #15. The band then got the chance to play at the Monterey Pop Festival. Their first album together came out later that year. Winds Of Change was definitely a very strange record, the sort of thing that would (and did) divide fans of the original group. With unusually sparse instrumental arrangements, atmospheric sound effects and just as much spoken word as singing, it was a clear statement of Burdon's new direction and dedication to the hippie counter-culture.

                             


Among all the 'experimental' numbers were a few more conventional songs, including a great cover of The Rolling Stones' "Paint It Black". Two surprisingly gentle songs were released as singles - "Good Times" got to #20 back in the UK, and "San Franciscan Nights" made it to #7, also reaching #9 in the US (actually the highest charting single for The Animals in the US since "House Of The Rising Sun" back in 1964).
              
                            

Eric Burdon & The Animals had played at the Monterey Pop Festival back in the summer of 1967, and this became the subject of their next single after their pschedelic debut Winds Of Change. Compared to the strange experimental psychedelia of that album, "Monterey" was very much a rock song, a catchy number which recounted the band's experience at the festival, complete with driving beat and sitar. The lyrics referenced many of the other acts in typical Eric Burdon style - "The Byrds and the Airplane did fly / Ravi Shankar's music made me cry". It got to #15 in the US (its release in the the UK was delayed almost a year, and then it did not chart).

                                                     THE TWAIN SHALL MEET
                                           Closer To the Truth (album The Twain Shall Meet)
 Eric Burdon - vocals ,Vic Briggs - guitar ,piano,John Weider - guitar,violin. Danny McCulloch - bass,Barry Jenkins - drums.

Their next album came out in 1968. The Twain Shall Meet was a much more focused album than Winds Of Change, and saw the band developing into a seriously good psychedelic rock group, with an ambitious blend of mood pieces and rockers. It featured another hit single - the anti-war anthem "Sky Pilot" got to #14.


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 The New Animals were expand to a six-piece with the arrival of keyboard player Zoot Money (previously of Zoot Money's Big Roll Band, and Dantalian's Chariot) in time for the their third album, where he was credited as George Bruno. Not much time had passed since their last album, but things changed quite dramatically with Every One Of Us, though it could be argued that not many people noticed. Eric Burdon seemingly abandoned 1967-style hippy psychedelia almost as quickly as he had wholeheartedly adopted it, instead aligning himself with the poor and the down-trodden for a semi-concept album. It turned out to be a somewhat melancholy, moody collection of songs, with jazzy and folky arrangements in place of tripped-out acid rock (though there was one heavy rocker included). Though as always with Burdon's late 60s work, there had to be something strange to throw things off, and here it was the inclusion of two lengthy dialogue recordings, as if he had run amok with a dictaphone and been allowed to include his results on the album due to the lack of new material. It sabotages an otherwise potentially perfect album, and one that would have been seen as a much more serious affair than its two predecessors - the songs the dialogues are attached to are perhaps the best on the album

.                                                         EVERY ONE OF US
                                           White Houses (album Every One Of Us)

 Eric Burdon - vocals ,Vic Briggs - guitar ,piano,John Weider - guitar,violin. Danny McCulloch - bass,Barry Jenkins - drums.Zoot Moony - hammond organ,piano,vocals

Elsewhere there was a bluesy rendition of the folk song "St James Infirmary", and the single "White Houses" which got to a modest #67 in the US. The album itself barely charted, and wasn't actually released in the UK, so remains one of their least known. As an album it is obviously flawed, but there are some moments of really brilliant music to be found within.

                        
Everyday i have the Blues (Berlin 1968)

Following the arrival of keyboard player Zoot Money, bassist Danny McCulloch left The Animals. Guitarist Vic Briggs was also replaced by Andy Summers, who had been with Money in British psychedelic group Dantalian's Chariot. This new lineup (Eric Burdon, Money, Summers, John Weider and Barry Jenkins) thus had no bassist - Money handled it in the studio, and on stage it was passed around between guitarists Summers and Weider.

They released a new album in 1968, the group's third from that year. Love Is was a double album, and consisted almost entirely of covers. Songs in a variety of styles were given big, ambitious re-inventions, several nearing ten minutes in length - Ike & Tina Turner's "River Deep, Mountain High", Sly & The Family Stone's "I'm An Animal", Johnny Cash's "Ring Of Fire", Traffic's "Coloured Rain", The Bee Gees' "To Love Somebody" and Albert King's "As The Years Go Passing By". There was also an excellent original song from Burdon, and a twenty-minute medley of two Dantalian's Chariot numbers written by Summers and Money. The album's sound was big and powerful, and the result was surely the masterpiece of the latter-day Animals. It even generated one final minor hit, as "Ring Of Fire" got to #35 in the UK.

                                                                      LOVE IS
                                          Colored Rain (album Love Is)great guitar solo Andy Summers.


However it proved to be the end of the road for the band, as they broke up shortly afterwards. Eric Burdon went on to join forces with Californian funk band War, and John Weider joined progressive rock group Family (replacing Ric Grech). Zoot Money continued to work in both music and film, and Andy Summers of course went on to fame as guitarist for The Police.



 The story of Eric Burdon I found on the blog below, along with more beautiful music.I am very happy with it, Thanks Arthur


More Eric Burdon on my blog...
The Animals

Eric Burdon & War(Germany)

Eric Burdon - One more coffee for the road.

Eric Burdon & War (Denmark)

maandag 29 juni 2020

C.S.N.&Y. - Don,t Be Denied

                                            Wembley Stadium - Saturday Sept,14th 1974
                        Don,t be Denied (Neil Young) album Times Fade Away

Neil Young-vocals/guitar.David Crosby-vocals/guitar.Stephen Stills-vocals/guitar.Graham Nash- vocals
                    Joe Lala -percussion.Russ Kunkel-drums.Joni Michel- vocals.