Mijn eerste Jazz Bilzen in 1968(er zouden er nog meer volgen)En dan ook nog met onze favoriete bluesband Cuby and The Blizzards.Diezelfde avond ook nog The Move,SmallFaces, Alexisis CornerChris Farlow and others,Onvergetelijk!
Herman Brood piano,Dick Beekman drums,Jaap van Eyk bass,Eelco Gelling gitaar,Harry Muskee zang)
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Blackmore hadn't played with the band since departing under acrimonious circumstances after a show in Helsinki, Finland, in November 1993, and his relationship with frontman Ian Gillan has remained frosty.(Louder)
However, earlier this week, during an Instagram Live post, Blackmore revealed that he had reached out to Gillan to ask if he could appear at the show in Wantagh, a short drive from his home on Long Island.
"I sent my A.I. pigeon to Ian Gillan in Portugal, where he lives at the moment," said Blackmore (as transcribed by Blabbermouth). And I said, How would you feel about if I got up just for an encore? Just one of the songs. I don't want to intrude. And I said, No pressure - just kind of [for] old times' sake.' I'm 81 now. So he seemed to love the idea, put it to the band, got a thumbs up, and it looks like we might be doing that."
And now they have. Blackmore joined Deep Purple onstage at the climax of a 100-minute set to perform Smoke On The Water, a song powered by his most famous riff. After the song, Gillan told the story of Blackmore reaching out before introducing him.(Louder)
"Vas Dis" was an old Jack McDuff jazz piece that Wishbone Ash had been performing live for some time as an exercise in turning a jazz number into a rock tune. The band rehearsed it in the studio, not realising that producer Derek Lawrence was recording, and it was this rehearsal take that appeared on the album.
The live favourite "Jailbait" was composed "in about ten minutes" at a pub in Exeter, and came about as a joint band effort through jamming together. As the vocalist on this song, Ted Turner wrote a few lines of a lyric, which he completed with the help of drummer Steve Upton in about half an hour
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Pilgrimage is the second studio album by British rock band Wishbone Ash, released 1971.
Steve Upton Martin Turner Andy Powell Ted Turner
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Way Over Yonder in the Minor Key
Words by Woody Guthrie, Music by Billy Bragg
None of it was planned. The audio is from my camera, and I asked a friend Andrea Scarso to help me capture the concert audio on their phone. I asked Glen's good friend Seán to film a wide from on-stage with my phone. Both results were surprisingly great! If you had asked me before this event, did think it possible to shoot a live concert performance with only one camera, a phone and no audio from the desk, I would have laughed at the idea and yet here's the evidence that such spontaneous efforts can be rewarded!
Phone cam footage of concert: Seán Kangataran Audio of concert: Andrea Scarso
Myles O"Reillly
https://www.patreon.com/mylesoreilly
"Messin' with the Kid" is a rhythm and blues-influenced blues song originally recorded by Junior Wells in 1960. Chief Records owner/songwriter/producer Mel London is credited as the songwriter. Considered a blues standard,it is Junior Wells's best-known song. "Messin' with the Kid" was inducted into the Blues Hall of Fame and has been recorded by a variety of blues and other artists.
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Stockholm,Sweden - (1971 9-13)
"And When I Die" is a song by Blood, Sweat & Tears, released in 1969, which reached No. 2 on the US Billboard Hot 100. The song, written by Laura Nyro, reflects a positive outlook on death and the continuation of life through future generations.
David Clayton Thomas - Vocals
Steve Katz - Guitar, Vocals, Harp
Dick Halligan - Keyboards, Flute, Trombone
Lew Soloff - Trumpet
Chuck Winfield - Trumpet
Dave Bargeron - Trombone
Fred Lipsius - Sax, Pf
Jim Feilder - Bass
Bobby Colomby - Drums
Glen Hansard (Dublin, 21 april 1970 - aldaar, 29 juli 2026) R.I.P.
Glen Hansard (born 21 April 1970) is an Irish songwriter, actor, vocalist and guitarist for the Irish group The Frames, and one half of folk rock duo The Swell Season. He is known for his acting, having appeared in the BAFTA-winning film The Commitments
Astral Weeks (album Astral Weeks )
Morrison described the song "Astral Weeks" as being: "like transforming energy, or going from one source to another with it being born again like a rebirth. I remember reading about you having to die to be born. It's one of those songs where you can see the light at the end of the tunnel and that's basically what the song says." Morrison told Steve Turner that he was working on the song back in Belfast in 1966 when he visited painter Cecil McCartney who had drawings on astral projection "and that's why I called it "Astral Weeks"
